Aubrey  Beardsley 

A  Catalogue  of  his 
Drawings 


<f 

University  of  California  •  Berkeley 

Gift  of 
THE  HEARST  CORPORATION 


List  of  Drawings  by 
Aubrey  Beardsley 


Compiled  by 

A.  E.  Gallatin 


New  York 

M.  F.  Mansfield  &  A.  Wessels 
1900 


NOTE. 

In  1897  Leonard  Smithers  of  London  pub- 
lished a  list  of  Beardsley's  drawings  compiled 
by  Mr.  Vallance,  in  connection  with  an  album 
of  his  drawings. 

This  present  list  is  intended  to  supplement 
Mr.  Vallance' s,  and  contains  no  item  mentioned 
by  him.  Besides  these  additions  there  is  a  list 
of  articles  on  Beardsley  that  have  appeared  in 
different  periodicals  (none  mentioned  by  Mr. 
Vallance  are  included). 

A.  E.  G. 

NEW  YORK,  December,  1899. 


"A  Second  Book  of  Fifty 
Drawings." 

New  York  :  John  Lane,  London  :  Leonard 
Smithers,    1899. 

Including  a  photograph  of  Beardsley  taken  by- 
Mr.  W.  J.  Harper,  and  a  one-page  prefatory- 
note  by  the  London  publisher.  A  part  of  the 
"Savoy"  drawing,  "A  Footnote"  (portrait 
of  the  artist)  used  as  cover  design.  The 
hitherto  unpublished  drawings  in  this  album 
are  as  follows  : 

1.  "Portrait  of  the  Artist." 

2.  "Joan  of  Arc  in  the  field." 

3.  "A  Book  Mark." 

4.  "The  Witch  of  Atlas." 

5.  "A     Frontispiece     for     Balzac's     Contes 

Drolatiques." 

6.  "  Manon  Lescaut." 

7.  "A  Scene  from  Manon  Lescaut." 

8.  "Madame  Bovary." 

9.  "A  Scene  from  Madame  Bovary." 

10.  "Beatrice  Cenci." 

11.  "Die  Gotterdammerung." 

12.  "Phedre." 

13.  "La  Dame  Aux  Camelias." 

14.  "Madame  Rejane." 

15.  "The  Procession  of  Joan  of  Arc." 


These  fifteen  drawings  are  in  the  possession 
of  Mr.  R.  B.  Ross  and  reproduced  by  his  per- 
mission. They  were  drawn  in  the  years  1889— 
1 890.  Several  of  these  drawings  are  included 
in  Mr.  Vallance's  item,  "Scrap  Book,  con- 
taining various  early  sketches,  studies,  etc.,  un- 
published. Property  of  R.  B.  Ross,  Esq." 

Then  follow  three  photogravures,  "Adoramus 
Te,"  "A  Christmas  Carol,"  and  "A  Head." 
These  drawings  were  made  in  1892,  and  be- 
long to  the  Reverend  Alfred  Gurney. 

Two  drawings,  "Incipit  Vita  Nova"  and 
"The  Litany  of  Mary  Magdalen."  Drawn 
in  1892.  Both  by  permission  of  Mr.  More 
Adey. 

"Madame  Rejane."  Drawn  in  1893. 
Madame  Rejane  is  holding  a  fan  on  the  right- 
hand  side  of  drawing. 

Vignette  for  Mallarme's  "L'Apres-Midi 
d'un  Faune."  Drawn  in  1892. 

"A  Suggested  Reform  in  Ballet  Costume." 
(Unfinished  drawing.)  By  permission  of  Mr. 
Joseph  Pennell. 

Cover  Design  for  "The  Forty  Thieves." 

Frontispiece  for  "Venus  and  Tannhauser." 

"Lysistrata  Haranguing  the  Athenian  Wo- 
men." This  is  a  part  of  one  of  the  "Lysis- 
trata" drawings  mentioned  in  Vallance's  list. 

"Messalina  Returning  from  the  Bath." 
Drawn  in  1897. 

"Messalina."  From  a  water-color  painted 
in  1895. 

"La  Dame  aux  Camelias."  A  sketch  in 
water-colors.  Painted  in  1897,  on  the  fly- 
leaf of  a  copy  of  "La  Dame  aux  Camelias," 
which  was  given  to  the  artist  by  Alexandre 
Dumas,  fils. 


A  Third  Book  of  Fifty  Drawings. 

Announced  in    the   Fall,  1899,  catalogue   of 
Leonard  Smithers*  books. 

"The  Early  Work  of 
Aubrey  Beardsley." 

New  York  and  London:  John  Lane,  1  899. 

With  a  prefatory  note  of  eighteen  pages  by 
H.  C.  Marillier,  and  two  photographic  studies 
of  Beardsley  by  Frederick  H.  Evans.  This 
book  contains  about  1  60  drawings,  of  which 
24  are  published  for  the  first  time.  These 
drawings  are  : 

"Hail  Mary."      Pencil  Sketch. 

"Perseus  and  the  Monstre."      Pencil. 

"  Figure  of  a  Child."      Pencil  and  Ink. 

"Perseus."      Ink. 

"Two  Figures  from  Back  of  'Perseus.  '  " 
Pencil. 

"Two  Figures  in  an  Attic."  Ink  and 
Wash  Sketch. 

"The  Procession  of  Jeanne  D'Arc." 
Pencil. 

"Sardro  Botticelli."      Pencil. 

"An  Angel  with  an  Organ."      Pencil. 

"Vignette  of  a  Ship."      Ink. 

"The  Toilette  of  Salome."  Unpublished 
drawing  for  "Salome." 

"John  and  Salome."  Unpublished  draw- 
ing for  "Salome."  (A  few  copies 
of  these  two  "Salome"  drawings,  to- 
gether with  another  state  of  "Enter 
Herodias,"  were  privately  printed  in 


5 


"Sketch  for  Cover  of  'Salome.' " 

"Portrait  of  the  Artist." 

"Portrait  of  Mr.  Harland." 

"A  Poster  Design."  Woman  holding 
child  aloft  in  her  right  hand. 

"Cover  Design  for  'The  Yellow  Book.'  " 
Woman  examining  books. 

" Design  for  a  Book  Cover."  A  satyr 
reading  to  a  woman;  very  like  a  cata- 
logue cover  for  Smithers. 

"Title-Page  Ornament."  In  "A  Second 
Book  of  Fifty  Drawings"  this  is  called 
"Madame  Rejane." 

"Maitresse  D'orchestre."  Same  motif 
as  grotesque  on  page  53  of  "Bon-Mots 
of  Foote  and  Hook." 

"Messalina."  Same  as  drawing  in  f(  A 
Second  Book  of  Fifty  Drawings." 

"Title-Page  Ornament."  A  nude  figure 
playing  on  a  base  viol. 

"Black  Coffee."  Six  copies  were  bound 
up  in  "An  Evil  Motherhood,"  and 
then  recalled. 

"Autumn."      A  design  for  a  Calendar. 
Frontispiece  and   Title-Page  design   for 
"Venus  and  Tannhauser."   The  Cover 
Design     of   "The     Early    Work"    is 
adapted  from  these  drawings. 

"A  Nocturne  of  Chopin."  A  wash  draw- 
ing of  two  seated  women  and  a  man 
standing. 

"Ben  Jonson.      His  Volpone:   or 
the  Foxe." 

A  new  edition,  with  a  critical  essay  on  the 
author  by  Vincent  O' Sullivan;  and  a  frontis- 

6 


piece,  six  initial  letters  (one  repeated),  and  a 
cover  design  by  A.  Beardsley.  (These  initial 
letters  are  reproduced  in  half-tone  from  the 
originals,  which  are  in  pencil.)  With  a  eulogy 
on  the  artist  by  Robert  Ross.  London  :  Smithers, 
New  York:  Lane,  1898.  There  are  two 
editions  of  this  book,  one  of  1000  copies  on 
art  paper  and  another  of  100  copies  on  Japan 
paper,  containing  an  extra  set  of  illustrations  in 
large  size,  printed  in  photogravure.  A  pros- 
pectus containing  the  frontispiece  enlarged  was 
issued. 

"Aubrey  Beardsley." 

By  Arthur  Symons.     London :  At  the  Sign 
of  the  Unicorn:  1898. 

An  essay  reprinted  from  The  Fortnightly  Re- 
view of  May,  1898.  This  book  includes  three 
portraits  of  Beardsley,  a  photogravure  copy  of 
a  painting  by  Jaques  Blanche,  and  two  photo- 
graphs, one  by  F.  Holly er  and  one  by  W.  J. 
Hawker.  Six  drawings  are  also  bound  up  in 
this  book,  two  for  the  first  time  published,  by 
permission  of  Mr.  Andre  Raffalovich. 

"Le  Debris  d'un  Pofcte." 
"The  Mirror  of  Love." 

The  other  four  drawings  are  : 

1.  "Isolde." 

2.  "The  Wagnerians." 

3.  "The  Mysterious  Rose-Garden.' ' 

4.  "The  Dancer's  Reward." 

First  from  "The  Studio";  second  and  third 
from  "The  Yellow  Book";  fourth  from  "Sa- 
lome." 

7 


Six  Drawings  Illustrating 
Theophile  Gautier's  romance 
"Mademoiselle  de  Maupin." 

1.  'Mademoiselle  de  Maupin." 

2.  'D' Albert."      (A  Vignette.) 

3.  'D'  Albert  in  Search  of  His  Ideals." 

4.  'The  Lady  at  the  Dressing-Table." 

5.  'The  Lady  with  the  Rose." 

6.  'The  Lady  with  the  Monkey." 

Fifty  sets  of  these  drawings  were  issued  in 
1898,  in  folio  size,  by  Smithers,  in  a  portfolio; 
130  copies  of  the  first  drawing  were  printed 
in  colors.  A  copy  of  "Mademoiselle  de 
Maupin  "  was  bound  up  in  each  copy  of  "A 
Second  Book  of  Fifty  Drawings,"  but  with 
smaller  margins. 

"The  Rape  of  the  Lock." 

A  reprint  of  the  crown  4to  size  published  in 
1896  by  Smithers,  in  demy  i6mo  size,  with 
a  new  cover  design  by  Beardsley,  London : 
Smithers,  1897,  New  York:  Lane,  1898. 
A  prospectus  with  the  drawing,  "The 
Baron's  Prayer,"  was  issued. 

"Le  Morte  d' Arthur." 

A  reprint  of  the  1893—94  edition  in  two 
and  three  volumes,  which  contained  20  illus- 
trations and  548  ornaments  (some  repeated), 
into  an  edition  of  four  small  volumes,  each 
containing  a  photogravure  as  frontispiece  se- 
lected from  the  former  edition.  London  : 
J.  M.  Dent,  1897. 


Brief  outlines  of  Beardsley  and  his 
work  in  : 

"Hazelle's  Annual"  (English) 

for  1895. 
"Who's  Who"  (English) 

for  1898. 
"The  International  Year  Book/* 

Dodd,  Mead  £3*  Co.,  New  York,  1899. 

In  the  following  books  a  number 
of  Beardsley's  better  known  drawings 
are  reproduced. 

"Posters  in  Miniature." 

New  York:  R.  H.  Russell,  1896. 

The  drawings  are : 

Outline  Portrait  of  Himself. 
Cover  "Savoy  "  No.  I. 
Avenue  Theatre  Poster. 
t( Savoy"  Christmas  Card. 
"La  Dame  aux  Camelias." 
"  Pseudonym    and    Autonym   Libraries," 

Poster. 
"Isolde." 

"Picture  Posters." 

By   Charles  Hiatt.       London:    Bell,   New 
York:    Macmillan,    1896. 

The  Avenue  Theatre  poster  and  poster 
for  "The  Yellow  Book"  (Girl  in 
Field)  reproduced. 


"The  Modern  Poster." 

New  York :   Scribner's,  1895. 

"La  Dame  aux  Camelias."  This  draw- 
ing is  called  "Cover  for  Lane's  Publi- 
cations'' in  this  book  and  in  "Posters 
in  Miniature."  It  was  not  used  for 
this  purpose,  however,  but  as  a  draw- 
ing for  "The  Yellow  Book"  (Vol. 
III). 

"  Pen  Drawing  and  Pen  Draughts- 
men." 

By  Joseph   Pennell.      London   and   New 
York:     Macmillan,  1894. 

Beardsley's  work  is  remarked  on  and  "  The 
Peacock  Skirt"  from  "Salome"  is  reproduced. 

"  Modern  Illustration." 

London  &   New  York:    G.  Bell,  1895. 
ByJ.  Pennell. 

Beardsley's  work   is  remarked  on  and  "  La 
Comedie  aux  Enfers  "  is  reproduced. 

"  The  Reign  of  the  Poster." 

A  pamphlet  by  C.  R.  Bolton.      Boston  : 
W.  B.  Jones,  1895.    Two  of  Beardsley's 
drawings  reproduced  : 
"  Pseudonym    and    Autonym   Libraries," 

Poster. 
"  Children's  Books,"  poster  (very  small). 

10 


Catalogue     of    Mechanics     Fair 
Poster  Exhibition. 

Boston,  October,  1895.  The  "Chil- 
dren's Books  "  poster  reproduced. 

"  The  Land  of  Heart's   Desire/' 

By  W.  B.  Yeats.  Chicago:  Stone  & 
Kimball,  1897.  The  left-hand  part  of 
the  Avenue  Theatre  poster  used  as  a  fron- 
tispiece. 

This  was  one  of  the  two  plays  the  Avenue 
Theatre  poster  was  used  for. 

Stone  &  Kimball's  "Book-List." 

A  " Salome "  drawing  reproduced. 

W.    C.    Whitehead's     "List     of 
Posters." 

Several  Beardsley  posters  catalogued  in  this 
catalogue  which  was  privately  printed  at  Cleve- 
land in  1895. 

"  The  Art  of  Aubrey  Beardsley/' 

The  dummy  of  a  book  which  M.  F.  Mans- 
field, the  New  York  publisher,  intended  to  pub- 
lish in  1898,  but  never  did.  The  article  on 
Beardsley  by  Max  Beerbohm  in  the  May,  1 898, 
ef  Idler,"  was  to  have  been  republished  with  a 

II 


number  of  his  drawings,  including  the  bookplate 
of  Mr.  Propert  published  in  "  The  Yellow 
Book,"  printed  in  red  on  Japan  paper  to  be 
mounted  on  inside  of  cover.  A  few  (book- 
plates) were  printed  in  this  manner. 


A  list  of  the  more  important  maga- 
zine articles  that  have  appeared  on 
Beardsley. 

"  The  Idler." 

March,     1897.         (London:       Chatto   & 
Windus.) 

An  article,  "  Mr.  Aubrey  Beardsley  and 
His  Work,"  by  Arthur  H.  Lawrence.  This 
article,  which  is  an  interview,  is  illustrated  by  a 
portrait  of  Beardsley  reproduced  from  "  A 
Book  of  Fifty  Drawings,"  one  by  Fred.  Holl- 
yer,  a  photograph  of  his  sister,  Miss  Mabel 
Beardsley,  and  the  following  examples  of  his 
work  : 

"A   Headpiece."        (From   title-page   of 

"Morte  d' Arthur.") 
"The      Moska."         (From      No.       i, 

"Savoy.") 

Frontispiece  to  "A  Book  of  Bargains." 
"The  Battle  of  the  Beaux  and  Belles." 

(From  "The  Rape  of  the  Lock.") 
"Merlin."     (From  "  Morte  d' Arthur.") 
"The     Coiffing."          (From     No.      3, 

"Savoy.") 

The  Avenue  Theatre  Poster. 
"Les  Passades."      (From  "To-Day.") 

12 


"La  Femme  Incornprise,"     (From  "To- 
Day.") 
"Atalanta." 

"Portrait  of  Madame  Rejane." 
Silhouette  of  himself. 

"The  Idler." 

May,  1898.       (London:    J.   M,  Dent.) 

An  article,  "Aubrey  Beardsley,"  by  Max 
Beerbohm.  The  illustrations  are  as  follows  : 

"The     Finding     of    the     Holy    Grail." 
(From  "Le  Morte  d' Arthur.") 

"Ali  Baba  in  the  Wood." 

"Merlin  taketh  the   Child  Arthur  into  his 
keeping."   (From  "Morted' Arthur.") 

"The     Return     of    Tannhauser    to     the 

Venusberg." 

Nine  small  drawings   from    the   "  Bon- 
Mots  "  series. 

"The  Studio." 

(London.)    "The    International   Studio." 
(New  York.)    June,  1898. 

An  article  by  Gleeson  White,  "  Aubrey 
Beardsley.  In  Memoriam."  The  illustra- 
tions are  as  follows: 

Head  of  Rejane.     (Reproduced  in  red.) 
Woman    on     Horse    (Chopin,    Ballade 

III)    (Very  deep  crimson  and  gray). 
Cover  design  for  "Studio." 
"Hail  Mary."      "Venus." 
Satyr  reading  to  a  woman.      (See  "The 

Early  Work.") 

'3 


"The  Catholic  World." 

May,  1899. 

An  article  of  13  pages,  "Aubrey  Beardsley  : 
A  Reconstruction.'*  By  Louise  Imogen 
Guiney.  The  pencil  drawing,  "Hail  Mary,51 
reproduced  in  half-tone  on  cover. 

"  The  Critic/' 

May,  1899. 

An  article,  "Aubrey  Beardsley 's  Strange 
Art,"  being  a  review  of  "The  Early  Work"; 
with  the  following  illustrations  from  it : 

Design  for  cover  of  "  Yellow  Book," 
not  used. 

Miss  Terry  in  "Becket." 

Design  for  Book-Cover. 
"Atalanta." 
"Black  Coffee." 

A  Poster. 

Miss  Letty  Lind. 

"  The  Poster." 

(English,   the  American  paper  under  same 
name  never  published  a  Beardsley  drawing.) 

No.  2.  The  Avenue  Theatre  poster  reproduced 
with  two  pages  of  text  by  H.  R.  Wol- 
styn. 

"  3.  An  article  by  Charles  B.  Cochran, 
"Aubrey  Beardsley  at  School."  Two 
illustrations  from  "The  Pied  Piper  of 
Hamelin,"  drawn  by  Beardsley  at  the 


age  of  1 5,    and    the    Holywell   Street 
drawing.       (First  rime  published. ) 
No.  4.  The  Singer  Poster.      (First  time  pub- 
lished.) 

"    6.  "All  Baba."    A  Review  of  " A  Second 
Book    of   Fifty  Drawings,"   by   Edgar 
Wedlock. 
Drawings  : 

"  Madame  Rejane." 

"The    Death    of   Pierrot."      (Originally 
published    in    "The   Savoy.") 


'The  Book  Buyer." 

Feb.  1895.  No.  10  of  "Book  Illustrators," 
"Aubrey  Beardsley."  An  article  by 
Herbert  Small.  The  illustrations  are 
two  photographs  of  Beardsley,  the 
"Children's  Books"  poster,  a  "Morte 
d' Arthur"  drawing,  and  a  small  gro- 
tesque from  "Bon-Mots  of  Samuel 
Foote  and  Theodore  Hook,"  which 
was  issued  in  1 894.  Here  it  is  titled  : 
"  Caricature  of  Max  Beerbohm,  hitherto 
unpublished." 

Oct.  1898.  An  article,  "Some  Personal 
Recollections  of  Aubrey  Beardsley." 
By  Penrhyn  Stanlaws.  The  illustra- 
trations  are  a  sketch  of  Beardsley  by 
Stanlaws  and  a  drawing  described  in 
Vallance's  list  as  "Marked  Pierrot  and 
Female  Figure,  small  square  in  black 
and  white,  published  in  'To-Day.'" 

June  1899.  An  article,  "The  Memorial 
of  Aubrey  Beardsley,"  by  W.  S.  M. 

15 


This  is  a  review  of  "The  Early- 
Work  "  and  "A  Second  Book  of  Fifty 
Drawings."  It  is  illustrated  by  the 
following  drawings : 

"Madame  Rejane." 
"The  Death  of  Pierrot." 
"La  Dame  aux  Camelias." 
Caricature  by  Himself. 

"Metropolitan  Magazine/* 

August,  1896. 

An  article,  "Aubrey  Beardsley,  the  Artist 
of  Decadence,"  by  W.  J.  Randall.  The  fol- 
lowing drawings  from  "The  Rape  of  the 
Lock"  are  reproduced: 

'The  Toilette." 

'The  Billet-doux." 

'The  Baron's  Prayer." 

'Battle  of  the  Beaux  and  Belles." 

'The  Rape  of  the  Lock." 

'The  Dream." 

'The  Barge." 

'  The  Yellow  Book  "  drawing,  "L'Edu- 
cation  Sentimentale."  The  book-plate 
for  Mr.  Propert  is  also  given,  though 
incorrectly,  as  "A  Beardsley  title-page." 

"St.  Paul's." 

Apr.  8,  1899. 

An  article,  "Some  Thoughts  on  the  early 
work  of  Aubrey  Beardsley."  By  Hal  Dane. 
Two  "Early  Work"  drawings  are  reproduced  : 

"A  Nocturne  of  Chopin." 
"A  Night  Piece." 

16 


April  9,  1898. 

Title-page  to  "Savoy."  No.  K 
A  Grotesque  Watering  the  Earth. 
A  drawing  from  "Morte  d'Arthur." 

"The  Art  Interchange." 

April,  1899. 

A  note  on  Beardsley  and  the  following  illus- 
trations : 

Outline  portrait  of  Himself. 
A  photograph  of  Beardsley. 
"The  Coiffure."    (From  "The  Savoy.") 

"Currier  Franfais." 

May  21,  1899.      Reproduced:  — 

"  Messalina  "  (on  stairway). 
"Death  of  Pierrot." 
"Ali  Baba." 

"The  Black  Book." 

Vol.1.  No.  i.  Contained  "A  Dialogue 
in  Black."  By  Merriam  Bliss.  A  pen 
and  ink  drawing  of  Beardsley  and  a  draw- 
ing "  The  Lady  in  Sable,"  attributed  to 
Beardsley,  but  not  by  him,  accompanied 
this  article. 

"Revue  Illustree." 

An  article  on  Beardsley  by  Tristan  Klingsor. 
A  new  portrait,  and  five  drawings:  "Rejane," 
two  "  Rape  of  the  Lock"  drawings,  "Lady 
Gold's  Escort,' '  and  a  "Salome"  drawing. 

3  17 


Minor  Mention. 
"The  Studio." 

No.  2,  large  folding-plate  of  the  "Joan 
d'Arc  Procession,' '  wjiich  was  afterwards 
reproduced  in  "A  Second  Book  of  'Fifty 
Drawings.  "  No.  36,  an  Invitation  Card  for 
a  Smoker  given  by  John  Lane.  September, 
1899,  a  short  note  on  "The  Early  Work. " 
October,  1899,  short  note  on  "A  Second 
Book."  December,  1899,  drawing,  "Ata- 
lanta." 

"The  Inland  Printer." 

October,  1897,  cover  of  "A  Book  of  Fifty 
Drawings, "  reproduced.  September,  1898,  a 
short  note  by  Percival  Pollard  and  a  portrait  by 
Felix  Vallatton  from  the  "Revue  Blanche." 

"The  Critic." 

July,  1896. 

"The  Toilette,"  from  "The  Rape  of  the 
Lock,"  reproduced,  with  a  short  note  on  the 
drawings  in  this  book. 

"Bradley:   His  Book." 

June,  1896. 

"The  Rape  of  the  Lock,"  reproduced,  also 
title-page  "Platonic  Affections." 

"  The  Echo." 

Vol.  I. 
I.       A  Brief  Biographical  Sketch. 

18 


3.       Outline  Portrait  of  Himself  and   small 

"Morte  d'Arthur"  drawing. 
5.       Portrait  of  Andreas  Mantegna. 

Vol.  II. 
2.    " Isolde "  and  two   "Keynote"  title-page 

designs. 
7.       The  "Savoy"  Christmas  Card. 

Vol.  III. 

4&  5  (double  number).    Cover  of  "Savoy" 
for  April,  1896. 

"The  Outlook"  (English). 

April  8,  1899,. 

A  one-page  article  by  A.  K.,  reviewing 
"Aubrey  Beardsley,"  "The  Early  Book," 
"A  Second  Book  of  Fifty  Drawings,"  and 
"  Volpone." 

New  York  "Herald/' 

April  9,  1899. 

A  one-page  review  of  "  The  Early  Work," 
with  two  illustrations  from  it:  " A  Suggested 
Reform  in  Ballet  Costume,"  "Maitresse 
d'Orchestre." 

"Chap  Book." 

No.  i  :    "  Yellow  Book"  poster  (Girl  in 
field).    No.  8  :   A  photograph  of  Beardsley. 

"  Illustrated  American." 

August  25,  1894. 

Golf  costume  drawing,  reproduced  on  cover 
and  also  inside. 

'9 


Leslie's  Weekly. 

March  28,  1895. 

"  Pseudonym  and  Autonym  Libraries "  poster 
reproduced.  August  6, 1 896,  Portrait  of  Beards- 
ley,  article  on  Beardsley,  and  Golf  costume 
drawing. 

New  York  "  Evening  Telegram/' 

April  1 1,  1898. 

Two  drawings  reproduced,  "AliBabain  the 
Wood"  and  "  The  Billet-Doux." 

"  Godey's  Magazine." 

September,  1896. 

Two  drawings  reproduced,  the  design  for 
"  Poor  Folk  "  and  the  one  for  (t  Keynotes." 

New    York  "Times"    (Saturday 
Review). 

May  27,  1899. 

Review  of  "  The  Early  Work."  (Through 
1898-1899  many  notes  on  Beardsley.) 

"Form." 

April,  1898.      Short  note. 

New  York  "  Evening  Post." 

May  4,  1899.      Short  note. 

"Literature." 

March  10,  1899.      Short  note. 
20 


Boston  "Herald." 

Apr.  21,  1895. 

"  Children's    Books,"    poster    and    article, 
"  Clever  Beardsley." 

"Engraver  &  Printer." 

January,  1895. 

"  Pseudonym  and  Autonym  Libraries  "  poster 
reproduced. 

"The  Book-Buyer." 

October,  1896. 
The  outline  portrait  of  Himself  reproduced, 

New  York  "  Journal." 

May  10,  1896. 

A  "Salome"  Drawing. 
" Fancy  Portrait  in  Bed."     (From  "Yel- 
low Book.") 
June  10,  1896. 

"Les  Revenants  de  Musique." 
"Siegfried/' 
"Emile  Zola." 
"The  Rape  of  the  Lock." 
April  8,  1898.     (Evening  edition.) 
The  Silhouette  portrait  of  Himself. 

New  York  «  World." 

February  16,  1896. 

"Toilette  of  Helene." 
December  9,  1894. 

"Pseudonym     and    Autonym    Libraries" 
poster. 

21 


November  18,  1894. 

"Fancy  Portrait  in  Bed." 
November  18,  1895. 

"Wagner  and  the  Wagnerians*" 
September  20,  1896. 

"Woman  in  White." 
November  18,  1896. 

Title-page  of  "  Savoy."     No.  2* 

"The  Wagnerites." 

"La  Dame  aux  Camelias." 

"Paries  Dieux  Journeux." 
May  24,  1896. 

"A  Footnote." 

"Town  Topics/' 

August  24,  1899.     Short  Note. 

"Harvard  Lampoon/' 

"A  Night  Piece,"  re-drawn. 

Boston  "Evening  Transcript/' 

February   ?,  1895.    (A  note  on  Beardsley.) 

New  York  "Evening  Sun/' 

March  17,  19,1895.  April  8,1899.  (Notes 
on  Beardsley.) 

"Black  and  White." 

March  26,  1898. 
Silhouette  Portrait. 

"Clips." 

July  1 6,  1896. 
"A  Footnote." 

22 


July  2,  1896. 
ss  Comedie  aux  Enfers." 

"Life." 

(About  May,  1894.) 

"L'Educational       Sentimental."       (From 
"Yellow  Book.") 

"The  Broadway  Magazine." 

June,  1898. 
"All  Baba." 
"Billet-Doux." 
Two  "Bon-Mots"  Drawings. 

"  Sketch." 

March  23,  1898. 

"Scarlet  Pastorale." 

April      10,      1895.        An   article,    "Little 
Beardsley." 

Chicago  "Inter  Ocean." 

November  22,  1896. 

Three  "  Morte  d' Arthur"  Drawings. 

"  Red  Letter." 

No.  i.     (August,  1896,)     Note. 

"The  Art  Student," 

December,  1894. 

A  " Salome"  Drawing. 

New  York  "Tribune." 

September,    20,    1896,   January    3,    1897. 
(Notes  on  Beardsley.) 


"Magazine  of  Art." 

December,  1896. 

A  short  article  on  Beardsley,  and  the  follow- 
ing drawings  reproduced : 

The  outline  portrait  of  Himself. 
Cover  Design  of  "Morte  d'  Arthur." 
An  initial,  a  tail-piece,  and  a  full-page 
drawing  from  "Morte  d7 Arthur." 


One  Hundred  Copies  printed 

in  December,  1899,  at 

the  De  Vinne 

Press 


• 


